Someone asked me recently for a list of art critics in Toronto. The list I could think of was quite short. And then I thought: This is what happens when there’s no place to publish criticism reliably in a city/country/industry. Forget about being paid well for it…
I’m chatting with a class of journalism students at Toronto Metropolitan University tomorrow—which I do yearly. The students are passionate and interested in writing and publishing, as well as the ethics of criticism. I get so energized speaking with them and answering their questions. I think: Where will all their enthusiasm go without the proper outlets? Then I get bummed out.
I believe self-publishing is the future, hence why I’m here on Substack. I always recommend writers have agency over their words and to own them in a way that is beneficial. I also wish there were more reliable art publications—it’s valuable to artists, galleries, collectors, and art lovers to have more places to read about art!
Please send recommendations for people doing interesting art writing or criticism my way.
Paintings I love this week:
There are a lot of great paintings up in New York right now! The Winter group show seems to be gaining popularity, mirroring its Summer counterpart. My faves right now:
Arcadia and Elsewhere at James Cohan

still, weight, thing, Ciarán Murphy at Grimm Gallery. A great solo exhibition within a sea of group shows.
The First Taste at Anat Egbi—the first exhibition at their NYC space.
Drop Scene at Chapter NY
Other news
Open Letters demand answers to Wanda Nanibush’s departure at the AGO.
Cindy Sherman poses for Juergen Teller for Marc Jacobs’s campaign. I’m sorry for bringing up Teller again so soon. What I’m really interested in is Cindy Sherman—who typically poses and shoots her photographs. What does it mean when she’s a model? I think it shows how performance-based her photographs are. I’m such a fan.
MASS MoCA has a roller coaster! In his first solo museum exhibition, EJ Hill has installed a rideable sculpture inspired by roller coasters. Exploring amusement parks' significance in the Jim Crow era, Hill sees roller coasters as communal symbols of the pursuit of joy—a vital element in fostering social equity.
How Small Galleries Are Getting Their Artists’ Works Into Museum Collections. An interesting article that speaks with galleries (Jack Barrett, Carvalho Park, Harlan Levey Projects) on the importance and how of getting artists’ work into museums. This has increasingly been a goal of galleries—I might write a full newsletter on it soon.
There are no art critics just reviewers.
A great question; there is a surprising absence -- how do art-seekers find new galleries and artists. Some years ago BlogTO assigned reviewers to tour Toronto galleries and write about the spaces themselves, not so much reviewing any particular show. A new article has popped up by Macy Hatcher: https://www.blogto.com/gallery/cooper-cole-dupont-toronto/